Studio D is the home for The 3:57 and other projects. After completing the Soft Goods and Hard Truths episode titled “To Sauté or not to Sauté,” the studio was re-configured for Chekhov’s “The Bet.”
Also, further refinements to lighting capabilities were presented.
Cheers,
The 3:57
Written in 1833, the story was published posthumously in 1926 as part of collection titled “The Twelve Adventurers and Other Stories.”
Brontë’s summary bio includes the following:
Published works include:
Next on The 3:57 will be Anton Chekhov’s “The Bet” from 1889.
Until then, cheers.
The 3:57
What do Ernest Hemingway, Louisa May Alcott, and William Shakespeare have in common?
Find out in “To Sauté or not to Sauté,” the latest episode from Soft Goods and Hard Truths.
Cheers.
WESJr.
Music by Shinji
This Studio D behind-the-scenes footage is Part Two of Two for producing “To Sauté or not to Sauté.” It’s the second episode of the Soft Goods and Hard Truths series.
Part Two is the blocking for navigating the set. Part One is a build for the lighting.
Also filmed in Studio D is The 3:57. That series’ next show will be a two-part reading of Anton Chekhov’s “The Bet.”
Until then, cheers.
WESJr.
Music by Shinji
This Studio D behind-the-scenes footage is Part One of Two for producing “To Sauté or not to Sauté.” It’s the second episode of the Soft Goods and Hard Truths series.
Part One is a build of the lighting plus select gear used. Part Two is the blocking for the episode.
Elsewhere, The 3:57’s next show will be a two-part reading of Anton Chekhov’s “The Bet.”
Until then, cheers.
WESJr.
Music by Shinji
Welcome to Studio D.
For sixteen years, I worked in a retail department store in a Flemington, New Jersey.
That’s a decade and a half of bumping into clothing racks and saying, “So sorry.” Of apologizing for stumbling into mannequins, coat hooks, and at least one particularly sturdy display of bath towels.
Embarrassing? Sure!
However, tripping over the furniture for that long allows you start to seeing things.
Listen to the value of retail while enjoying “Explaining the Lanyard.”
Cheers,
WESJr.
Hello and come on in a little closer.
Writing influences veer toward sports, music, humor, and . . . a lanyard? Easy to look at, simple to operate, and profound in its impact, it serves as a proxy.
After The 3:57 wraps in Studio D with its episode on Charlotte Brontë’s “Napoleon and the Spectre,” the full backstory on the lanyard will be shared.
Until then, cheers.
WESJr.
Clay Track Press 